Titles in the Series Foundations in Sound Design for Linear Media A Multidisciplinary Approach Foundations in Sound Design for Interactive Media A Multidisciplinary Approach Foundations in Sound Design for Embedded Media A Multidisciplinary Approach For more information about this series, please visit: Sound-Design/book-series/SDSįoundations in Sound Design for Linear Media A Multidisciplinary Approachįirst published 2020 by Routledge 52 Vanderbilt Avenue, New York, NY 10017 and by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Routledge is an imprint of the Taylor & Francis Group, an informa business © 2020 Taylor & Francis The right of Michael Filimowicz to be identified as the author of the editorial material, and of the authors for their individual chapters, has been asserted in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988. These forms and practices continuously cross-pollinate and produce an ever changing array of technologies and techniques for audiences and users, which the series aims to represent and foster. Today’s sound designers might work in film and video, installation and performance, auditory displays and interface design, electroacoustic composition and software applications and beyond. Sound Design The Sound Design series takes a comprehensive and multidisciplinary view of the field of sound design across linear, interactive and embedded media and design contexts. His art has been exhibited internationally at venues such as SIGGRAPH, Re-New, Design Shanghai, ARTECH, Les Instants Vidéo, IDEAS, Kinsey Institute and Art Currents, and published in monographs such as Spotlight: 20 Years of the Biel/Bienne Festival of Photography, Reframing Photography and Infinite Instances. He has published across disciplines in journals such as Organised Sound, Arts and Humanities in Higher Education, Leonardo, Sound Effects, Parsons Journal for Information Mapping and Semiotica. He develops new forms of general-purpose multimodal and audiovisual display technology, exploring novel product lines across different application contexts including gaming, immersive exhibitions, control rooms, telepresence and simulation-based training. Michael Filimowicz, PhD, is Senior Lecturer in the School of Interactive Arts and Technology (SIAT) at Simon Fraser University and coeditor of The Soundtrack journal. The volume is designed as a textbook for students and teachers, as a handbook for researchers in sound, media and experience, and as a survey of key trends and ideas for practitioners interested in exploring the boundaries of their profession. The chapters are written by international authors from diverse backgrounds who provide multidisciplinary perspectives on sound in its linear forms. The reader will gain a broad understanding of the key concepts and practices that define sound design for its use with moving images as well as important forms of composed sound. Foundations in Sound Design for Linear Media This volume provides a comprehensive introduction to foundational topics in sound design for linear media, such as listening and recording audio postproduction key musical concepts and forms such as harmony, conceptual sound design, electronica, soundscape and electroacoustic composition the audio commons and sound’s ontology and phenomenology.
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